Skeena is the story of one woman inhabiting four worlds.
If, to borrow the words of Kishwar Naheed ‘Skeena is a novel on patriarchy that never uses this word’, it is also the story of an honour killing where not one drop of blood is shed. Instead, it takes the reader and one woman of a village, from the gradual Islamization of law and society in Pakistan to the social politics of post-911 Canada.
It treats the familiar themes and experiences of a South Asian woman in Pakistan and Canada without conforming to or selling stereotypes to the public.
It moves flowingly almost screenplay like reproducing vivid scenes, such as the punishment of a villager in Skeena’s village, in the reader’s imagination.
Telling a story of discovery, death and determination, Skeena is inspiring without being overblown, political without being ideological, and heart-rending without being tragic.